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A British-Indian teenager struggles with his cultural heritage in modern-day London, falling for a white, 20-something actress/model during a 1970s-themed exhibition, and becoming obsessed with both her, the fashion and music of a seemingly more glamorous '70s era, all the while trying to keep his family's Indian traditionalism and the impending responsibilities of adulthood at bay.

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In the swing of the 70s, two women fight for the love of the same man without knowing their fates were already intertwined.

One minute long episodes about the ways wild animals do things.

The city suffers and succumbs unarmed, but an ex secret agent succeeds in winning the struggle against the gangsterism. Intrigue and violence grip a society victim of the crime.

The citizens living in the share house are all monsters but hide that truth from everyone: Vampires who needs to drink female's blood, Wolf girl who has complex in having long hair, jiangshi who wants to have a pure love but gets fake death, ghost that wants to take a wonderful photo but becomes creepy one, and dark hunter who hunts evildoer. There's only a sign of turbulent.

Alan returns to his small Floridian hometown to find his sister Quinn all grown up. But when he discovers that their overbearing mother is sheltering Quinn because of her autism, he hatches a plan for them to run away together so that Quinn can pursue her dream of becoming a professional dancer.

A young man ends up in the living room of a middle-aged woman whom he has met at a bar after closing. The very drunk woman gives an incoherent speech on feminism, Norwegian oil and global solidarity. She does not offend the Norwegian-ethnic man when she points out their common destiny as the oppressed where she is a woman and he is black.